Where Paula Daunt's schizophrenic behavior pays off

TRANZCD006] VA- Tranzmitter Compilation (Volume 4) – Disc 3 by Tranzmitter Netlabel

Disc 3

RELEASE INFO:
ARTIST: Various
RELEASE TITLE: Tranzmitter Compilation (Volume 4)
CAT#: TRANZCD006
RELEASE DATE: 07 march 2012
FORMAT: Mp3/ 320kbps/ 44.100 MHZ more Wave (16Bits)
GENRE: Electronic
SUB-GENRE: Ambient, Downbeat, Lounge, IDM, Illbient
TOTAL TIME: 01h29m49s
SIZE: 207 MB

Tracklist:
03.1- Håkan Per Olsson – Ambient 3 (15:30)
03.2- Oathless – Shinigami (5:22)
03.3- Basic Elements – Eno Ambient Works (5:00)
03.4- D_e – Rainy Summer (4:00)
03.5- N.O.V.A Feat. Nina Nobrega – Luz e Cor (3:56)
03.6- Codage – System Online (2012 Mix-Feat. Dani Candal) (5:12)
03.7- Good Natured Threat – Disclosure (6:55)
03.8- Blasquez – Mr Bianguli (6:58)
03.9- PJ Waldman – Suave Na Neve (5:04)
03.10- SoftClip – Gifts From The Shoreline (5:20)
03.11- Eletromariola – Future Kidz (4:46)
03.12- Projekt Gestalten – Victim of the Stars (7:20)
03.13- Za‘Hur – Destino (9:19)
03.14- Paula Daunt – Baji’s Law (5:02)

http://soundcloud.com/tranzmitter-netlabel

The set “TRANZCD006] VA- Tranzmitter Compilation (Volume 4) – Disc 3″ by Tranzmitter Netlabel is licensed under a Creative Commons License.
Be aware that the related tracks might have a different license.

Featuring music by Steve Roden (aka In be tween noise), Pedro Tudela (akaJohnny Days), Robin Rimbaud (aka Scanner), Kate Carr (aka The Frigatebird), Shawn Kelly (aka Y?Arcka), Marielle V. Jakobsons (akadarwinsbitch), Paula Daunt (aka Agnosie), and João Ricardo (aka OCP), all working from a shared set of sounds collected and constructed by Elvis Veiguinha. Veiguinha’s field recordings originally served as the score for an installation of photos of modern urban Lisbon by Jorge Colombo.

LX(RMX) Lisbon Remixed by disquiet

A 16-page PDF including images from the exhibit that inspired this project is available for free download from archive.org.

The full album is available for free download as a Zip file of MP3s, and as individual files, at freemusicarchive.org.

Heteronyms Reconsidered

Unlike Walt Whitman, Fernando Pessoa may not have contained multitudes, but he had a tidy set of alter-egos. He wrote under a variety of names, each with a unique biography and aesthetic. These alter-egos are referred to as “heteronyms,” and among them was Álvaro de Campos, whose poetry inspired Jorge Colombo’s photography exhibit, Lisbon Revisited, which in turn inspired this compilation album.

Heteronyms—in the form of pseudonyms and monikers—are commonplace in electronically manipulated music. Matters of identity are routinely amplified and distorted by various factors: by the semi-anonymity inherent in online communities, by the rampant splintering of genre taxonomy, by the manner in which authorship is complicated by reliance on third-party (and often emerging) technology, by the prevalence of sampling and remixing.

In tribute to Pessoa and Campos, eight electronic musicians were commissioned to explore the sounds of the city of Lisbon, as well as the creative opportunity inherent in the concept of the heteronym. The eight musicians and their eight adopted heteronyms each took a single shared sound source and created from it sixteen new audio works. The shared sound source is an ambient soundtrack of field recordings of urban Lisbon created by Elvis Veiguinha for the installation exhibit of Colombo’s photographs. This project gave each participating musician the opportunity to explore not only the sounds of the city, but also their own internalized multiple viewpoints.

Marc Weidenbaum
disquiet.com/lx-rmx

Hometown Revisited

In January 2009—just a few weeks before I started finger-painting NYC on an iPhone—my exhibition Lisbon Revisited opened at Casa Fernando Pessoa, a museum in Lisbon, Portugal. Based on the early 20th century poems by Portuguese poet Pessoa (writing under the name Álvaro de Campos), the show consisted of Lisbon photographs of mine in which I tried to forget all personal associations and memories of my hometown, focusing instead (like Pessoa/Campos, a fervent futurist who worshipped the splendors of Progress) on the most contemporary, most technological, most globalized aspects of my hometown. I shot today’s Lisbon like Campos would have, were he not a fictional poet stuck in he 1920s.

The exhibition’s soundtrack was created by Elvis Veiguinha, a Portuguese sound artist, music producer, and filmmaker, who used his recordings of Lisbon’s aural atmosphere. Meanwhile, in San Francisco, Disquiet’s Marc Weidenbaum has been forever perceiving Pessoa as a 21st century artist who happens to be have been dead since 1935. Veiguinha’s soundtrack became the natural link to revisit Pessoa’s Lisbon through the more recent vocabulary of remixing.

Jorge Colombo
jorgecolombo.com/lr

Track Listing

01. “i’m wrapped by it as by a fog” by Steve Roden (aka In be tween noise)
02. “i have in me like a haze” by In be tween noise (aka Steve Roden)
03. “Falha” by Pedro Tudela (aka Johnny Days)
04. “RYLY” by Johnny Days (aka Pedro Tudela)
05. “Marginal Notes” by Robin Rimbaud (aka Scanner)
06. “A Heart Wound Like Clockwork” by Scanner (aka Robin Rimbaud)
07. “Sing, Sing On for No Reason” by Kate Carr (aka The Frigatebird)
08. “Noone Wonders What Lies Beyond My Local River” by the Frigatebird (aka Kate Carr)
09. “The Magic in the Music” by Shawn Kelly (aka Y?Arcka)
10. “A Working Plain” by Y?Arcka (aka Shawn Kelly)
11. “the squealing of rats and the squeaking of boards” by Marielle V Jakobsons (aka darwinsbitch)
12. “last remnants of a final illusion” by darwinsbitch (aka Marielle V Jakobsons)
13. “In Praise of Absurdity” by Paula Daunt (aka Agnosie)
14. “Prelude for a Lost Disguise” by Agnosie (aka Paula Daunt)
15. “Paz” by João Ricardo (aka OCP)
16. “Desassossego” by OCP (aka João Ricardo)
17. “Original Installation Field Recordings” by Elvis Veiguinha

. . . .

More About the Contributors

Steve Roden & In be tween noise: inbetweennoise.com

Pedro Tudela & Johnny Days: pedrotudela.org

Robin Rimbaud & Scanner: scannerdot.com

Kate Carr & The Frigatebird: soundcloud.com/katecarr

Shawn Kelly & Y?Arcka: arckatron.us

Marielle V. Jakobsons & darwinsbitch: mariplasma.com

Paula Daunt & Agnosie: pauladaunt.com

João Ricardo & OCP: ocp.pt.vu

Elvis Veiguinha: vimeo.com/elvisveiguinha

. . . .

A Disquiet.com Project
February 2012

Commissioned by Marc Weidenbaum

Audio Assistance by Taylor Deupree

Photography/Jorge Colombo

Design/BoonDesign.com

This release is licensed/ Attribution-NonCommercial-ShareAlike 3.0 Unported (CC BY-NC-SA 3.0).

I have a very large music folder containing flexipop weirdness and synth-punk stuff. I spent a long time listening to these pearls, and gathered all those ones that made me shiver, cry, laugh hysterically or stare at the wall catatonically into one weird and wonderful mix.

I thought, due to the nature of these songs, that my mix would get 3 or 4 plays but a few music blogs picked up on it and managed to spread the message to quite a few weirdos out there. Hope you like it too.

Synth Punk Flexipop Weirdos Mix // Paula Daunt by PaulaDaunt

Simples Mente – Paula Daunt from Paula Daunt on Vimeo.

Video by Veintitrés Equis: vj23x.com/ youtube.com/user/vj23x
vimeo.com/vj23x

Music by Paula Daunt: pauladaunt.com/

Cowboy – Paula Daunt from Paula Daunt on Vimeo.

Video by Veintitrés Equis: http://vj23x.com/ http://www.youtube.com/user/vj23x
http://vimeo.com/vj23x

Music by Paula Daunt: http://pauladaunt.com/

Larry Levan – live at the Paradise Garage, 1979 by kazes

May 2012 – Episode 198 – Following last year’s triumphant debut on Untold’s imprint Hemlock, Brighton based producer Guy Andrews is back with his first 12″ for Hotflush Recordings. A superb followup to his 2011 auditory missive, The Wait / Hands in Mine merges percussive elements with heavy basslines resulting in two dark dancefloor cuts.

Shuffling and persistent, Side A is bass-driven track filled with arpeggiated goodness, while on the flip, Andrews shows off his ability to manipulate genres by using a bass kick and frenzied rhythmic percussion to dial up an atmospheric tune.

With recent acclaim from XLR8R, Resident Advisor and Truants along with DJ and radio support from the likes of Benji B, L-Vis 1990, Brackles, Sound Pellegrino, Shortstuff, Benjamin Damage and Throwing Snow, Guy Andrews is on the rise. Lookout for another 12″ via Hotflush this Fall.

http://guyandrews.co.uk/

Kraftwerk – Trans Europa Express by +dB

Rob Hall – Return to Leisure System @ The Berghain. LS15 – 20 04 2012. by robdashhalldotcodotuk

Production combo The Bomb Squad – best known as the Public Enemy engine room – have unleashed a volley of free material.

Squad leader Hank Shocklee has just assembled a new 1GB sample collection, titledBomb Quad: Tactical Beats and Sample Artillery. In honour of the release, Music Radar have been gifted a glut of Bomb Squad samples to give away gratis. The samples are all available as 24-bit WAV files, and are all reliably royalty free, so you can fire up the MPC without a second thought.

The Bomb Squad have a new album due in the autumn.

Chicago house music is the sound of global pop today. In the 90s, though, it was on life support—until a new wave of producers, including Cajmere and DJ Sneak, got the city doing the Percolator.

By Michaelangelo Matos for www.chicagoreader.com

“You’re as relevant as your last mix.”

That’s a line for a DJ to live by if ever there were one. And if there were ever a DJ to proclaim it, Carlos Sosa is that DJ. Sosa is better known as DJ Sneak, though he also calls himself “the house gangster”—not as a declaration of criminality, but as a ride-or-die pledge of roots. His roots are deep. Born in Puerto Rico, Sneak moved to Chicago in 1983 at age 13, started practicing on his bedroom decks three years later, and went on to become a global ambassador of the Chicago house sound.

Sneak’s success in carving out a career has a lot to do with his visibility on the American rave scene of the 90s—and his ability to evolve his style to suit the much-altered electronic-music landscape of today. “I did the rounds, man,” he says. “I didn’t cut any corners.” By the time he dropped 1997′s “You Can’t Hide From Your Bud”—a disco-powered house ode to the DJ’s favorite herbal snack—rave was in full bloom, and Chicago house was a big draw all over the circuit.

But what drew glow-stick-wielding kids in oversize “phat pants” wasn’t the DJs who reigned during Chicago house music’s first, mid-80s epoch—DJs who conquered the world while remaining relatively unknown in their own back yard. By the time rave culture reached the midwest in the early 90s, Chicago house legends such as Farley “Jackmaster” Funk, Frankie Knuckles, and Steve “Silk” Hurley were busy headlining overseas and producing and remixing pop records. They were already too big for a scene that was scrappy by design. A few years younger, Sneak fit right in with the new breed.

House music has belonged to the world as a whole for most of its history. But like everything else in club life, Chicago-purist house has its vogues of popularity and wider cultural relevance. The mid-to-late 90s was such a time—just as right now is. The original sound of Chicago house music labels Trax and DJ International has been reintegrated into clubland’s matrix with increasing frequency. A number of producers have made back-to-’87-style tracks. Vintage-Chicago-house 12-inches pop up on mixes by under-25 DJs such as Benjamin Damage & Doc Daneeka (their XLR8R Mix, from March, pivots halfway through on Armando’s “Downfall,” first released on Trax in 1988).

Continues on www.chicagoreader.com

Podcast 245: Lapalux
Words: Shawn Reynaldo
It wasn’t that long ago that Lapalux (a.k.a. Stuart Howard) was just another young UK producer perking up people’s ears with a hard-to-define mix of low-end-heavy, but undeniably experimental, sounds. Even when we tabbed him as a Bubblin’ Up artist last summer, largely on the strength on his then-fresh Many Faces Out of Focus EP, the full extent of his potential was only beginning to reveal itself. Then came this year’s When You’re Gone EP, released on Flying Lotus’ Brainfeeder imprint, which displayed a whole new level of sophistication and a real penchant for sonic whimsy. With this kind of skill at his disposal, we were curious to see exactly what Lapalux could do if tasked with putting together an exclusive mix for the XLR8R podcast series. Although he doesn’t actually DJ that often—he prefers to perform live—Lapalux quickly proves that’s he’s more than capable of assembling a compelling mix. His selections come from both sides of the Atlantic and could individually be tagged with an assortment of inadequate genre names—bass music, beat music, witch house, screw, experimental—but ultimately, it’s clear that they all bear some relationship to hip-hop while only rarely sounding anything like traditional rap music. He’s clearly taking notes from a rich palette of influences, and though this podcast still doesn’t allow us to put Lapalux in a neat little box, it does provide an interesting window into the sounds that make him tick.

Download MP3
Subscribe to Podcast

Listen

http://www.xlr8r.com/podcast/2012/04/lapalux

Podcast Mix 119 for Little White Earbuds. click here 4 tracklist and D/L link. by ~Roof Light~

grab here – http://www.littlewhiteearbuds.com/

Abertura do Outubro Independente / 1 ano de VOODOOHOP from The Silent Walk on Vimeo.

Sao Paulo, October 2010.
Video by Rémi Pinaud for Voodoohop.

Größere Kartenansicht

Welche traditionelle brasilianische Party wird in Brasilien am fettesten gefeiert? Ihr werdet “Karneval” antworten, richtig? Aber da Ihr liegt falsch. Die größte brasilianische Party ist die Festa Junina, die im ganzen Land während des Monats Juni gefeiert wird, und jetzt kommt sie auch noch nach Berlin! N bisschen was über die Geschichte: http://festajunina.eu/das-brasilianische-junifest/

Nach 5 Jahren Wahnsinn in London stellt die Festa Junina-Crew jetzt eine Party bei Tageslicht (nachts geht’s aber weiter) in Berlin auf die Beine mit allen traditionellen kulinarischen Festa Junina-Leckereien, eleganten und energiegeladenen brasilianischen Grooves, lauten Drums, Tänzen und den beklopptesten Spielen, die Ihr jemals spielen werdet. Und, nein, es ist nicht peinlich: http://festajunina.eu/games/

Die Party geht diesen Samstag, den 23.6., um 14:00 los, und Eintritt ist frei bis 22:00.

Ab 22:00 Uhr ziehen wir nach drinnen um, und da geht’s mit handfester Musik weiter von Künstlern, die mit dafür verantwortlich sind, dass die brasilianische Elektronikszene zu den dynamischsten und aufregendsten der Welt gehört!

1. Correio Elegante (Cheeky Mail)

Our Correio Elegante can send an anonymous message to someone, and she won’t ever tell the person who you are, unless you want her to.

2. Boca do Palhaço (Clown’s Mouth)

We doubt you can get 3 balls in the clown’s mouth, but if you do, you will get our special Festa Junina drink for free and enter our hall of fame!

3. Ovo na Colher (Egg on the Spoon)

You know this one. Get to the other side of Wilde Renate’s garden with an egg on your spoon.

4. Corrida de três pés (Three-legged Race) Are you really this close to your friend?

5. Dança da cadeira (Chair Dance)

The easiest and most internationally known way to look stupid and have fun

6. Corrida de Saco (Sack Race)

Getting inside a potato sack and running across a club’s garden has never been so exciting!

7. Prega Prega, Pregador (Clothes-peg Competition) You must attach a box of clothes pegs to your mate, one by one. Yes. For drinks.

8. Cata Feijão (Bean-picking)

Very hard to do after a few caipirinhas.

9. Corrida do Saci (Saci Race)

Saci is a one-legged mulato youngster with holes in the palms of his hands, who smokes a pipe and wears a magical red cap. The fastest Saci wins, if he/she doesn’t step on the line.

10. Carrinho de mão (hand-trolley)

Have you ever been a trolley before? No? So this is your chance. .♪.♫ Hands down, a** up, this is the way we like to run. .♪.♫

11. Mordida da Maçã (Bite the Apple)

Bite the apple without sticking your whole head in the water. Go.

12. Caça aos objetos (Crazy Hunt)

Bring me a purple screwdriver, a cattle prod, a red dildo and a dummy.

You have 30 minutes!

13. Bigode do Caipira (The countryman’s moustache) Stick the moustache on the countryman, blindfolded.

14. Campeonato de Dobradura (Origami Competition) The one who makes the most interesting Origami wins a drink and standing ovation.

15. Pirâmide de Cartas (Cards Pyramid)

Build the biggest card pyramid in less than 2 minutes.

16. Múmia (The Mummy)

You’ll need a friend and lots of toilet paper.

17. Roupa de Jornal (Newspaper Clothes)

Let your inner Wolfgang Joop out of the closet. We’ll give you newspaper, scissors and tape, you give us the latest newspaper fashion.

18. Estoura Bexiga (Ballon Explosion)

The winner is the one who blows the balloon until it explodes, before everyone else.

19. Estoura Bexiga 2 (Ballon Explosion 2) Sit on the balloon

20. Estoura Bexiga 3 (Balloon Explosion 3) Crash into your mate’s belly balloon (if that makes sense)

21. Cabo de Guerra (Tug of War)

Drunk vs. Very drunk

22. Passa a Meia (Pass the Tights)

It’s a variation of the chair dance, but players have to go through a pair of tights (really, now I’m sure we’ve lost you)

23. Tapete Mágico (Magic Carpet)

Run with your magic carpet across the garden. Er…

20. Corrida de Saco (Sack Race)

21. Mordida da Maca (Bite the Apple)
Get the apple from that basin without getting all wet

Born in Brasília, Brazil, having discovered the house music in Australian lands, reaching a steady career in the chaotic-concrete-jungle of São Paulo, playing in countries such as Portugal, Spain, Netherlands, Denmark, Croatia, Chile, Germany and Sweden – just to name a few – Tatiana Sanches moved to Berlin searching for inspiration. Tati performed at Fusion Festival, Glade Festival, Boom Festival, Bar 25, Arena Club, Dedge Club (Brazil) and many others. At festa Junina she will play with Polly Phone, a talented German Dj whom she has been working with for some time now, promising us a “creative and unpredictable back to back dj set”. We’re looking forward to it, Tati! Let’s get to know her better.

Festa Junina Berlin: How would you describe your music to someone who’s never heard it before?
Tatiana Sanches: Deep, funk and sexy house music, with an experimental touch always!!

FJB: What is the craziest thing you’ve done in the name of music?
TS: I sold my car to buy my turntables, mixer and speakers, when I started to play as a dj. One of the best move I did in my life!

FJB: What come to your mind when you hear “Brazil” or “Festa Junina”?
TS: Music, warm vibes, fun, good food and drinks, nice people.

FJB: What is love?
TS: Sharing – Living – Feeling – Believing – Smiling – Crying – Dissolving

FJB: What is your favourite movie quote?
TS: “What if everything is an illusion and nothing exists? In that case, I definitely overpaid for my carpet.” Woody Allen

FJB: What tune will kick ass at the Festa Junina Berlin 2011?
Who Made Who – Every Minute Alone (Tale of us Rmx)

I you are really into techno, then this post will be no news to you. Yes, we’re talking about Mark Hawkins, this acclaimed Dj and producer who took over dance floors worldwide with his cult 2001 Djax Up Beats debut “Ctrl Alt Delete”. Fusing raw Chicago styled beats with melancholic synth melodies in an abrasive fashion, Mark has been headlining parties all over Europe, from UK to Poland, Latvia, Lithuania, Czech, Belarus, Ukraine and Russia, discovering many previously unknown scenes, events, Djs and producers. We are seriously excited to hear his live set at Festa Junina Berlin 2011. Check out his awesome website for more news about him and lots of cool mixes from various talented people at http://signalsfromsouthwark.com/ This is what he’s got to say:

Festa Junina Berlin: Who are you?

Mark Hawkins: I make music I like, influenced by sounds from the mid 90s coming out of Chicago, Detroit, Minneapolis, Cologne, Berlin, Munich, Paris, Eindhoven and many other places. I made records for Djax and Mosquito. I played in a lot of different clubs around the world, but this isn’t important to what I do right now. The moment is important, and making good music right now is important, much more important that any “Claims to fame” I might have.’

FJB: What is the craziest thing you’ve done in the name of music?

MH: Making it the centre of my life was probably the craziest thing I ever did for music, because it can mess with everything when you’re in that situation, your finances, your relationships, everything. Luckily I have now found an equilibrium, so these things aren’t so much of a problem. Getting into cars with random strangers and feeling lucky to still be alive just to get to the gig, and dealing with strange wannabee Ukranian gangster types probably also ranks up there quite highly!

FJB: We are taking you to a desert island now, but only for the weekend. What CD/vinyl are you taking with you?
MH: Com Truise’s new album which comes out next month.
FJB: YEEEEEEEEEEAAAAAAAAAAAAAHHHHHHHHHHH!

FJB: What is your favourite movie quote?
MH: ‘We are all wired into a survival trip now. No more of the speed that fueled that 60′s. That was the fatal flaw in Tim Leary’s trip. He crashed around America selling “consciousness expansion” without ever giving a thought to the grim meat-hook realities that were lying in wait for all the people who took him seriously… All those pathetically eager acid freaks who thought they could buy Peace and Understanding for three bucks a hit. But their loss and failure is ours too. What Leary took down with him was the central illusion of a whole life-style that he helped create… a generation of permanent cripples, failed seekers, who never understood the essential old-mystic fallacy of the Acid Culture: the desperate assumption that somebody… or at least some force – is tending the light at the end of the tunnel.’

FJB: What is love?
MH: Being able to be totally yourself with your partner, shedding a tear to some part of a film or music.. stuff like that
FJB:

FJB: What tune will kick ass at the Festa Junina Berlin 2011?
Zoidar by Boner M

We are very glad we found this man in time for our party. We really think he is a classic Festa Junina DJ: bubbly, sunny, eclectic and skillful! He will be the one in charge of moving everyone from the garden to the dance floor at the end of the day, and we are pretty sure it is gonna be an easy task for this German DJ who’s been playing electronic music with influences of jazz, funk, disco & soul for more than 18 years! He calls it “boogie-afro-jazz-tech-house”. We are looking forward to finding out what he means! Let’s talk to the fella.

Festa Junina Berlin: How would you describe your music to someone who’s never heard it before?
Curv: boogie-afro-jazz-tech-house => electronic music with influences of jazz, funk, disco & soul.

FJB: Who are you?
C: I am a Music, Design & Film Nerd. Practiced for 18 years as a DJ and since 2006 I Produce music for the label Vinyl Vibes Records. In October 2010 I published my first album “Curv – Between Here and Nowhere”, a pearl of which I am very proud. If you want to know more about me and my music, I recommend my web page www.justcurv.de

FJB: Is the bottle half full or half empty?
C: @ this moment: FULL, FULL, FULL…

FJB: What is love?
C: Music listening, Vinyl diggin’, DJing & Live playing & 10 years in a relationship with my lovely girlfriend…
FJB: Aaawwwwwww, we like that!!!

FJB: What is your favourite word in Portuguese?
C: Festa…

FJB: What tune will kick ass at the Festa Junina Berlin 2011?
C: CYN046 · In Situ · Martin TC

This is Fobia, Seven Samurai Records owner and manager, or as she describes herself, “a brazilian djane, producer, sound engineer, samurai influenced freak”. Fobia is already pretty well known in the Breakcore/noise scene but this time she is paring up with Flipmatic to play a dub techno, back to back set. Yes, Fobia will slow it down a bit, but it will be still pretty fast and groovy for us! Let us get to know this lady a bit better.

Festa Junina Berlin: We are taking you to a desert island now, but only for the weekend. What CD/vinyl are you taking with you?
Fobia: A made specially for this trip “Best of Mike Patton” Compilation.
Festa: Yessssss!!!

FJB: How would you describe your music to someone who’s never heard it before?
F: Noisy, Intense, Experimental, Chaotic.

FJB: Who are you?
F: I am Fobia, a brazilian djane, producer, sound engineer, samurai influenced freak! I love crazy broken fast breaks and a lot of chaotic noise! I´m the kind of girl who lies down on the dance floor, closes her eyes and lets the music take her through the most beautiful and intense journeys. On the other hand I am also very effective and down on earth when I am working on band recordings and mixdowns. But no matter in which state I´m in, I can definitely say that I am a music addict and nothing (well almost nothing gives me this incredible feeling – where the world is in the right place and I can just let go and enjoy the great energy around me – like music does!

FJB: Is the bottle half full or half empty?
F: Half FULL

FJB: What is your favourite movie quote?
F: Seven Samurai: Kambei Shimada: Danger always strikes when everything seems fine.

FJB: What tune will kick ass at the Festa Junina Berlin 2011? Annos Woland “The Road” BlueCode rec 009